![]() OL11984118W Page_number_confidence 92.95 Pages 314 Partner Innodata Ppi 300 Rcs_key 24143 Republisher_date 20200312202040 Republisher_operator Republisher_time 330 Scandate 20200312093133 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9781563680793 Tts_version 3. Includes bibliographical references (pages 261-283) and indexĪccess-restricted-item true Addeddate 16:03:37 Boxid IA1792814 Camera USB PTP Class Camera Col_number COL-609 Collection_set printdisabled External-identifier Next to this even-handed scholarship, she juxtaposes a volatile, emotional counterpoint achieved through interviews with Deaf individuals who have faced rhetorically constructed restrictions and with interludes of her own poetry and memoirs."-Jacket Lend me your ears and I'll sing you a song And I'll try not to sing out of key Chorus: Ringo Starr, John Lennon & Paul McCartney Oh, I get by with a little help from my friends Mm, I. In this broadly based study, she presents a profound analysis and understanding of rhetorical tradition's descendent disciplines that continue to limit deaf people, such as audiology and speech/language pathology. "Brueggemann's assault upon this long-standing rhetorical conceit is both erudite and personal she writes both as a scholar and as a hard-of-hearing woman. But in her new book Lend Me Your Ear, Brenda Jo Brueggemann exposes this tradition's effect of disallowing deaf people human identity because of their natural silence."-BOOK JACKET. “It’s just a way of defending their territory, and their funding."The tradition of rhetoric established 2,500 years ago emphasizes the imperative of speech as a defining characteristic of reason. 'Friends, Romans, countrymen, lend me your ears', the first line of speech by Mark Antony in the play Julius Caesar. Lend Me Your Ears (video series), a 2014 video series by John Cantlie. ![]() In Lend Me Your Ears, Max Atkinson - a highly experienced. Lend Me Your Ears (Jeremy Steig, Eddie Gmez and Joe Chambers album), 1978. “Companies that basically just do Brecht, and theatre slanted in favour of a communist revolution. Yet research has shown that audiences are deeply dissatisfied with this mode of public speaking. “Our work is political, but not in the sense of being pamphleteering or partisan and so it is dismissed as bourgeois, elitist.” Year after year, the same theatre companies won funding. “We put on plays by playwrights like Kafka, Pinter, Beckett, Ibsen, Genet,” he said. Club Noir’s failure to win funding amounted, said Alvim, to a form of financial censorship. Oasis Lend me your ears Lend me your ears Just as there is a marked difference between seeing and watching, so it is between hearing and listening Radhika D Shyam, Nov 18 2022. ![]() ![]() All subjects Allied Health Cardiology & Cardiovascular Medicine Dentistry Emergency Medicine & Critical Care Endocrinology & Metabolism Environmental Science General Medicine Geriatrics Infectious Diseases Medico-legal Neurology Nursing Nutrition Obstetrics & Gynecology Oncology Orthopaedics & Sports Medicine Otolaryngology Palliative Medicine & Chronic Care Pediatrics Pharmacology & Toxicology Psychiatry & Psychology Public Health Pulmonary & Respiratory Medicine Radiology Research Methods & Evaluation Rheumatology Surgery Tropical Medicine Veterinary Medicine Cell Biology Clinical Biochemistry Environmental Science Life Sciences Neuroscience Pharmacology & Toxicology Biomedical Engineering Engineering & Computing Environmental Engineering Materials Science Anthropology & Archaeology Communication & Media Studies Criminology & Criminal Justice Cultural Studies Economics & Development Education Environmental Studies Ethnic Studies Family Studies Gender Studies Geography Gerontology & Aging Group Studies History Information Science Interpersonal Violence Language & Linguistics Law Management & Organization Studies Marketing & Hospitality Music Peace Studies & Conflict Resolution Philosophy Politics & International Relations Psychoanalysis Psychology & Counseling Public Administration Regional Studies Religion Research Methods & Evaluation Science & Society Studies Social Work & Social Policy Sociology Special Education Urban Studies & Planning BROWSE JOURNALSĭescribing himself as left-wing, Alvim is nevertheless not an obvious supporter of the ruling Workers’ Party, and has spoken vehemently against what he describes as the “Marxist mafia” or “cartel” in charge of allocating public funds for São Paulo theatre productions over the past few years, under which Club Noir and a number of other companies were excluded, he explained, from accessing funding over a period of almost three years.
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